Blog Tour~ Brake Failure by Alison Brodie
By: Alison Brodie
Publication Date: January 9, 2017
Genre: Contemporary Romance
Brake Failure is a contemporary romance with a kick-ass heroine. The story is set in one of the most fascinating periods of America's history: the months leading up to Y2K "melt-down."
"Is it too late to tell him you love him when you're looking down the barrel of his gun?"
Ruby Mortimer-Smyth is an English debutante, destined for Ladyās Day at Ascot and taking tea at The Savoy. She knows the etiquette for every occasion and her soufflĆ©s NEVER collapse.
She is in control of her life, tightly in control. Until fate dumps her down in ā¦ Kansas.
Ruby believes that life is like a car; common-sense keeps it on the road, passion sends it into a ditch. What she doesn't know is, she's on a collision course with Sheriff Hank Gephart.
Sheriff Hank Gephart can judge a person. Miss Mortimer-Smyth might act like the Duchess of England but just under the surface there's something bubbling, ready to explode. She's reckless, and she's heading for brake failure. And he's not thinking about her car.
With the Millennium approaching, Ruby gets caught up in the Y2K hysteria. She joins a group of Survivalists, who give her a gun and advise her to stockpile basic essentials, such as gasoline and water-purifying tablets. So she bulk-buys Perrier, Gentleman's Relish and macaroons.
Ruby, far from home, is making Unsuitable Friends and "finding herself" for the first time. She falls in with a gang of Hells Angels and falls foul of the law. At every turn, she comes up hard against Sheriff Hank Gephart, whose blue eyes seem to look deep into her soul. She desperately wants him but knows she can never have him.
She's angry at the emotions he arouses in her. Pushed to her limit, she bursts from her emotional straightjacket.
As the clock strikes midnight of the new Millennium, she's on a freight train with three million dollars, a bottle of Wild Turkey and a smoking gun.
What happened to Miss Prim-and-Proper? And why did she shoot Mr Right?
______
Note: Alison Brodie wrote this story from first-hand experience. She lived in Kansas during this time and was stunned by the hysteria, unnerved that the US government was spending $150 billion preparing for Armageddon. As Lionel Shriver says in "We have to Talk About Kevin": '1999, a year widely mooted beforehand as the end of the world.'
What Others Are Saying5 * āOMGā¦I freakinā LOVED this bookā¦going on the list of one of my favorites of 2016.ā āStar Angels Reviews 5* āEveryone needs to read this book. Itās blooming brilliant.ā āThe Reading Shed 5* āHilarious.ā -Lauren Sapala, Book Reviewer and Writersā Coach. 5* āA laugh-out-tale that will keep you flipping the pages as fast as possible.ā āTome Tender 5* āEmpoweringā¦comicalā¦refreshing.ā āSan Francisco Book Review |
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That afternoon, Ruby parked outside Shady Acres. She couldnāt wait for Gephart to ask her out on a date. Then she could tell him she was married. Ha!
He sat in reception. In full uniform. Why couldnāt he have changed into civilian clothes? Now he would make her look like an offender. Or was that his intention? Just because sheād put a few scratches in his police car.
āHi, Ruby.ā He stood up, crushing a plastic cup in one hand and tossing it in the bin.
She stared pointedly down at his belt. āAre you going to put me in handcuffs?ā she asked sarcastically.
He winked. āNot if youāre good.ā
Ruby blushed. Why was it that every time she gazed into his eyes, she felt as if a hand was pressing down on her chest? She was only thankful that once she started reading to the old lady, Hank Gephart would go.
The receptionist was busy dealing with two elderly gentlemen, so Ruby and Hank had to wait to sign-in. Ruby felt strangely jittery in the big manās presence. She only wished he wouldnāt stand so close. She inched further along the reception counter and, wanting to hide her nervousness, started squaring up the brochures into neat piles.
He came closer. āRuby, I donāt like you mixing with Hells Angels.ā
She felt his warm breath on her cheek. āIs there a law against that?ā Refusing to look at him, she picked up a brochure and found herself reading about incontinence.
āNo, but-ā
āThen, presumably, I have the freedom to choose with whom I associate?ā
āYeah, but Iām warning you-ā
Warning you. Angrily, she grabbed up another brochure and flicked through it at speed, false teeth and hearing-aids flashing by. āWhy do you have to be so aggressive? Why canāt you say, āmay I suggest?āā
āOkay.ā He rested his arm along the counter and leant towards her. His eyes were blue, very blue. āMay I suggest you keep away from them?ā
āNo, you may-!ā She stopped abruptly. A matronly nurse was hovering beside them.
āWell, Hank,ā the nurse said gaily. āIs this your lady friend youāve been telling us about?ā
Hank beamed down at Ruby with proprietary pride. āIt sure is.ā
āIām not his lady friend,ā Ruby mumbled.
āNice to meet you, Ruby,ā the nurse said. āIām Amy.ā She beckoned with a finger as if tempting two small well-behaved children to an exciting treat. āIf you want to come along, Mrs Amstruther is waiting.ā
As they walked along the corridor, Ruby noticed two pretty nurses break off from their conversation to study her. She sensed that Hank had been gossiping about her. She caught up with Amy, determined to quash whatever rumours were flying around. āI am not at all familiar with Geph- I mean, Hank.ā
The nurse stopped at a door and knocked. āI love your accent.ā
Ruby persisted. āI have merely bumped into him on various occasions.ā
āWe know.ā The nurse winked and opened the door. āYou two go on in.ā
As Ruby spluttered indignantly, Hank took her by the elbow. āMrs Amstruther?ā he called. āIāve brought my friend to meet you.ā
āCome in, come in,ā a quavery voice replied.
Ruby stepped across the threshold and froze.
Mrs Amstruther was blind.
The old lady was sat up in bed, dressed in a faded, flower-print bed-jacket, her eyes wrapped in bandages; her skin appeared almost translucent, the pink skull showing beneath a mop of dazzling white hair. She smiled sweetly, reaching out a tentative hand.
Ruby felt a pang. Mrs Amstruther shouldnāt be here; she should be in a cottage-garden in Devon with a wicker table laden with a cream tea and a vase of freshly cut delphiniums; and surrounded by her grandchildren.
āDear Hank,ā Mrs Amstruther murmured. Ruby stepped forward, and put her hand in the old womanās. āHello, Iām Ruby.ā
āOh, how lovely to hear an English voice! Youāre so kind, Ruby; volunteering to read to a boring old lady like me.ā
āItās my pleasure.ā
āHank didnāt bully you, I hope?ā Mrs Amstruther said in mock gravity.
With an ache of sadness, Ruby gazed down at the old woman so far from home - a home she would never again see. Ruby realised the childish bickering between her and Gephart was pathetic. The discord she had brought into the room, evaporated. āI didnāt need to be bullied. I was delighted with Hank for asking me.ā
āDo take a seat, Ruby, dear,ā the old woman said.
Ruby pulled an armchair closer to the bed. The room was sunny, the walls covered in framed photographs of children at the seaside. Beyond the window, at the far perimeter of a vast lawn, a freight train rumbled passed, the melancholic blast of its horn fading into the distance. Gephart, too, was watching it.
Mrs Armstrutherās hand was searching the rumpled bedding. āRuby, could you possibly read a few pages of Wind in the Willows? My son loved it when he was little.ā She brought out a book from under the covers. āItās so annoying not being able to see. Thankfully the bandages come off at the end of the month.ā
āSo itās not ā¦?ā
āWhat, dear?ā
āPermanent?ā Ruby asked, taking the book.
āOh, no, itās just cataracts; the curse of old age.ā
Ruby, discovering the old woman would recover her sight, felt a lightness of spirit; felt she could embrace all her fellow beings - including Hank. He was standing, studying the photos on the wall. Catching his eye, she smiled at him, tilting her head towards the door, a silent message that he could leave.
He wrinkled his brow, evidently unable to gauge her meaning.
She tried again, running her fingers through the air towards the door.
He gave her a stupid look.
āAre you going?ā she mouthed silently.
He nodded to signify that he understood. Then he shook his head, walked over to the armchair by the window, sat down and rested his hands squarely on his knees.
He was obviously staying.
āHave you ever read Wind in the Willows, Ruby?ā Mrs Amstruther asked.
āYes, years ago.ā
The old lady laughed. āMole is delightful, isnāt he? Who is your favourite character?ā
āToad. I loved it when he dressed up as a woman to escape the police.ā Ruby instantly regretted the words. āOf course, I donāt identify with Toad,ā she added hastily, forcing herself not to look at Gephart. āI just think heās a loveable rascal.ā
āIsnāt he just!ā Mrs Amstruther settled back to enjoy the story, and Ruby began:
āāThe Mole had been working hard all the morning, spring-cleaning his little home ā¦āā
Why is P.C. Plod hanging about anyway? Surely heās not interested in riverbank creatures.
āāFirst with brooms, then with dusters; then on ladders and steps and chairs, with a brush and a pail of whitewash till he had dust in his throat and eyes and splashes of white-wash all over his black fur, and an aching back and weary arms ā¦āā
Heās staring at me; I know he is.
āāSpring was moving in the air above and in the earth below ā¦āā
This was too much! Ruby glared at him. āHavenāt you got a murder to solve?ā
āWhat?ā Mrs Amstruther jerked in confusion.
Ruby was appalled by her thoughtlessness. āOh, Iām sorry, Mrs Amstruther, I was talking to Hank. You see, I donāt want to keep him from his work.ā
He folded his arms across his chest and grinned. He was obviously taking delight in her embarrassment. āIām off-duty,ā he said.
For the sake of the old lady, Ruby had to speak sweetly, but there was nothing stopping her from raking the man from head to foot with hostile eyes. āDo you always wear uniform when youāre off-duty?ā
āI do when I havenāt had time to get to my locker and change.ā
She couldnāt bear to look at that smug face a second longer. She snatched up the book and continued to read. āāSpring was moving in the air above and in the earth below-āā She stopped in confusion, her cheeks a fiery red.
āOh, Iāve read that bit already.ā
She could sense him laughing at her. And he was!
He stood up, his eyes dancing mischievously. āIāve got a feeling Ruby canāt concentrate with me here. Iām flustering her pretty little head.ā
Her relief that he was going was rapidly replaced by horror. That awful man was insinuating she fancied him! As he passed by, he bent and kissed her on the cheek. āIāll be waiting for you in the lobby ā¦ Sweet Cheeks,ā he said softly, squeezing her shoulder.
Wide-eyed and apoplectic, she watched him walk to the door.
āHeās such a lovely man,ā Mrs Amstruther said after he had gone.
Ruby couldnāt trust herself to speak.
āThe nurses say heās very handsome. Is he?ā
Ruby was still pinning the door with a look of fury. āO-h-h, you donāt want to know what I think.ā
She picked up the book, her decision made.
She was no longer angry; in fact, she was rather jubilant. Like any institution, this building would have a goods delivery entrance. Well, Gephart, she thought complacently. Youāre about to have a long wait because Sweet Cheeks, here, is going out the back.

A disastrous modelling assignment in the Scottish Highlands gave Alison an idea for a story, which was to become Face to Face. She wrote Face to Face as a hobby and then decided to send it off to see what would happen. It was snapped up by Dinah Wiener, the first agent Alison sent it to. Three weeks later, Alison signed a two-book deal with Hodder & Stoughton. Subsequently, Face to Face was published in Germany and Holland. It was widely reviewed, ie: āVain, but wildly funny leading lady.ā -Scottish Daily Mail. It was also chosen as Good Housekeepingās āPick of the Paperbacks.ā
Unfortunately, Alison then suffered from Second-Book Syndrome. The publisherās deadline loomed and she was terrified because she didnāt have an idea for a story! She found the whole experience a nightmare; and this is why she cautions first-time authors to write more than one book before approaching an agent. She managed to finish the book ā Sweet Talk ā but it bombed.
While writing Sweet Talk, she moved to Kansas and lived there for two years. She loved the people, their friendliness, their free-and-easy way of life, the history and the BBQs! Sadly, her visa ran out and she had to come back to the UK ā although her dream is to one day live permanently in America. Now, Alison lives in Biarritz, France.
Alison has taken the exhilarating steps to becoming an indie author. Her second ebook, THE DOUBLE, is out on Amazon Kindle with some great reviews. āExcellent.ā āSan Francisco Book Review.
Alison writes contemporary romance. She aims for a strong plot line, set against the background of a world-changing event, coupled with touches of humour, sexual tension and character transformation.
She loves to hear from her readers.
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